1. the pros and cons for you about the visual aspect of his works (what you like and don’t like)
2. the ideas in his works and the interpretation of his paintings (especially the 911 painting)
3. the contradiction between the high market value and the negative reviews by art critics
In your sketchbook, do an hour drawing in the style of Rodrigue, of any animal (preferably a current or former pet) in a setting or location which adds to the overall meaning.
In class, your next painting will be of a familiar animal in a setting or location which adds to the overall meaning. You may do it in a realistic or Rodrigue style, with realistic or exaggerated colors, realistic or exaggerated form.
Now we return to studying about painters that use subject matter (NOT the non-objective, abstract artists, we have been looking at.)
Visit the following website to find a painter (that uses subject matter) that you find especially interesting and inspiring.
Look at the art on the site in both of the following manners: Using the menu bar at the top, look at some of the Art Collections and some of the Artists. Look for known museums and artists as well as new-to-you sources.
Post a link to your favorite discovery AND
explain why you like the painter/paintings that you choose AND
write a description and formal analysis on one piece you like the best. See notes on description and analysis stages of interpretation as described in handout you received in class and on the widget.
For sketchbook, collaborate in any manner and any media with one or more people, (fellow students, family members, friends) on one or more drawings to total 1 hour.
Jasper Johns said “take an object, do something to it, do something else to it.” This famous quote signifies his creative method and artistic curiousity. His art-making process was a visual dialogue driven by formal relations of the art elements (line, shape, space, color, value, texture) and the principles of design (opposition, proportion, transition, balance, dominance, rhythm, unity).
Look at the way he takes simple objects and visually plays with them as symbols. Notice how he creates interplay between figure and ground, the object and the background, so that the symbol or object is both lost and found.
Next, look at the first part of the demo on Why Gesso (at least half way through to see the technique which works with mat medium and alcohol too.)
In your comments, post observations about each of the 3 artists. How do they each achieve complexity in their paintings? How do they invite viewer engagement?
How do they create unity? Choose one work to analyze and describe the way that it functions visually through the relationships of the formal elements.
For sketchbook, draw a variety of simple objects or symbols and experiment with shading and/or color that may be a start for your next painting. You cannot pre-plan the next painting because it is a dialogue with the creative process but you can explore through drawing the expressive potential of simple objects (tools, untensils, hardware parts) and you can consider the color scheme you will use when you paint.
Watch each of the following three short videos related to your current project
AND post a comment with insights you have about each of the videos AND write a reflection on the process of learning to draw 3 pt perspective and your discoveries about imagination, visualization, and visually constructing an architectural type structureon a 2d plane.